Sunday, 31 October 2010

Born in Denver, Colorado in 1962, American director David Fincher did not start his career directing movies. His first works were directing music videos, working with people such as Madonna, Sting and Michael Jackson. He also directd TV commercials working with companies such as Nike, Coca-cola and Heineken.


After gaining some popularity within Hollywood he began directing movies with his first one being Aliens 3 in 1992, which did well in the box office although got mixed reviews overall. He then moved on to direct thriller movies such as Se7en (1995), The Game (1997) and Fight Club (1999) which were all critically acclaimed in the box office as well as getting good reviews from critics.

 Fincher is well known for his dark and stylish thriller movies such as movies like Se7en and The Game creating an amazing sense of suspense and imaginative style where he uses dark moods and atmosphere with incredible precision.








DVD Cover - Vantage Point

The first things you see are the picture and the title of the movie. Even though the picture takes over 50% of the cover the title is still clearly visible with its bold font and white colour. The names above the title are the names of the actors/actresses and although it's the same font and colour, it is a smaller size. The title is also not straight but rather tilted (as are the names of the actors) which could be due to the fiery, red background of the poster which signifies an explosion. The big, bold letters of the title express the name of the movie to viewers (and potential buyers) with the names of the actors being used to promote the movie and to make people buy it. The background shows an explosion which suggests that the movie will have some action in it most probably associated with a bomb - helps set the genre or one of the genres of the movie.

The most visible you see of the picture is one of the actors, Dennis Quaid. This suggests that he is most likely the main character in the movie, this is supported by his name being shown first in the list of actors names above the title. You also see a scope of a sniper with a person in the middle being locked on to which also suggests a form of action and that there might be amurder in the movie or in the least, an attempted murder. On the outskirts of the scope you see all the other characters that are in the movie and at the bottom of the cover it saying '8 Strangers. 8 Points of view.1 Truth'
        The potentail buyer is now introduced to another type of genre as well as understanding the picture on the cover. The other characters are the other points of view that the audience will be shown as to what happens in the movie. This points out that the movie will be making the audience ask questions about what is happeneing in the movie introducing them to a thriller/crime like genre. It exploits that there will be an event which triggers the views of 8 different people in how they saw that event and how it unfolded with each of them seeing it in a different way and seeing a diferent truth, although there is only one truth which is unfolded only after watching all the views of the 8 different people - exciting stuff!

At the top of the cover it says '2-Disc Deluxe Edition' which is another way to attract buyers. Adding an adjective (deluxe) gives it a more fancy title and saying that it has 2 discs gives away that it has more content than just the movie itself meaning that it's worth the price you're paying. Although i'm pretty sure this has nothing to do with the movie itself.

Wednesday, 13 October 2010

Thrillers - Sub Genres

Psychological                               Legal
Conspiracy                                  Political
Crime                                          Action
Disaster                                       Techno
Medical                                       Religous
Mystery                                       Historical
Supernatural

Conventions - Thriller

Actors                                                        Ambiguity
Narrative                                                    Producer/Distributor
Score                                                         Director
Atmosphere                                               Villain/Crime
Mood                                                        Ominous plot
Music Director                                           Characters
Themes                                                      Literary Devices
Thrills                                                         Lighting
Camera shots and angles                            Editing
Enigma Code                                             Mise-En-Scene

Man-On-The-Run

We were given a task in groups to make a short synopsis on the man-on-the-run thriller genre but with a spoof twist to the whole idea.

Synopsis:
We first see a bus carrying prisoners, travelling on a long stretch of road with the only light being the gaze of the moon. The drive is interrupted by a deer jumping onto the road resulting in the bus crashing and the driver being knocked out. Our protagonist is a prisoner on the bus and he tries to take advantage of the situation by trying to break the window to escape, but with no avail. He then sees the other prisoners taking the door and also takes that option. We then see our protagonist running into the night. We come back to him in a normal, everyday busy street although he is in a rather strange disguise. He is obviously the most suspicous one with the disguise he is wearing and the fake moustache he put on is falling off. He is speaking on a payphone calling a trusted friend about his innocence - we are then taken back to his past - a flashback where we see him stumbling upon a crime scene with him getting a good look at the criminal but was at that scene at the wrong time. The real criminal framed him and back in real time it is our protagonists target to catch that criminal.
Unaware, our main character has a sniper at his head but the split-second before he shots our 'hero' bends down to tie his shoelaces resulting in the sniper to miss - our protagonist is still oblivious that he is being targetted. The sniper tries to shot him a few more times but fails until one of the shots results in the fake moustache flying off - our character now panics and runs for his life, literally (whilst stumbling through the crowds making a whole load of mistakes), until finally the sniper loses him.

Man-On-The-Run
Theses type of movies usually have the protagonist running away from some authority, whether it be the government or mafia. The protagonist has usually been framed for something or blackmailed into doing something and runs to get justice, revenge, peace or the truth - with the authority chasing after him not wanting him to get any of those things.
The protagonist is usually smart and handy with weapons or making traps tricking his chaser and getting away multiple times. He can usually think ahead and is good with action - fights and shooting. Sometimes he does things without trying to get others nvolved and avoid deaths (Bourne Movies) although this might not always be the case.
Normal streets, houses, car parks, parks etc. are used as settings although places with many people are usually used to (subway) to emphasise the stealth of the character but it isn't used for the majority of the movie. Long establishing shots are used widely to show the settings of the character and to the audience what he's done or is planning to do sometimes - many other shots such as tracking and close-ups are also used to track the protagonist as he is moving a lot and to show his emotions to give the audience a better understanding of what he is going through. A lot of match on action shots also have to be used due to the excessive amount of character movement. The genre also includes action in many cases so the music can be fast paced and loud at times. This type of genre can use both a lot of light and barely any light, it can work both ways, although it is usually shot in the night or in places with low light intensity to show the stealth of the man on the run.
A few examples of man-on-the-run are;
The Bourne Trilogy
The Fugitive
Escape from Alcatraz

Psychological
The character's are usually life like characters where the audience can show empathy on some level. They are usually not physically gifted but usually need to rely more on their minds and mental resources usually being a battle of wits against an opponent or a problem. Some movies have a protagonist and an antogonist facing off with each each other playing deceptive mind games whilst other movies have the protagonist having to use his mental resources to tackle a difficult problem. They also come with a back story with these type of movies also carrying a narrative sense to it with the main character narrating the movie or the events he goes through.
Psychological thrillers usually tackle a theme or tow with the chracter facing or questioning something - these themes are usually questioning reality, his own perception, identity, existence or mind.
This genre can also represent itself within horror so the movies are usually dark and gloomy with the movie making the audience ask questions about what is going on in the movie and what is going to happen. Non-diegetic sounds usually entail low sounds with soft beats to create suspense with some scenes not having any non-diegetic sound and solely relying on the diegetic sound.
Settings used are usually normal setting but with a darker tone to it with the movie focusing mush of it's time on the plot of the story and in some cases it concentrates on the character and what effect he has on the story.  This is why many close-up and extreme- close ups are used in this type of genre to show the character and his emotions. Mid-shots are also used a lot and so are long shots but compared to CU, ECU and Mid shots there is a lack of long establishing shots since movies of this genre concentrate on the character, the plot or what effectthe character has on the plot of the story.

Some examples of movies;
The Butterfly Effect
Memento
Psycho
Insomnia
Secret Window

Wednesday, 6 October 2010

Analysing 'The Birds' "scary" scene

How many shots are there?
18
6 different types of shots

Where was the camera positiones for each shot?
1st - Establishing shot (tracking)
2nd - Mid-shot
3rd - Mid-Long shot (tracking)
4th - Low angle mid-shot (after zoomed in)
5th - Mid-shot (turning to long shot as character moves away from camera)
6th - Mid-shot
7th - Close-up (of room)
8th - Medium Close-up (of character)
9th - Mid-shot (of room)
10th - Medium close-up
11th - Close-up (dead mans feet)
12th - Medium close-up
13th - Long Shot (POV shot)
14th - Mid-Shot
15th - Close-up
16th - Medium Close-up
17th - Long shot
18th - Low angle close-up (after character runs towards camera)


What principles of continuity are used here? How successfully?
An example is at the beginning of the scene when she opens the door to let herself in the house. The camera goes from a mid-shot on the porch to a medium long shot inside the house - the switch of camera shots happen as soon as she enters the house with amazing precision bringing about great continuity.
When the character enters the room which has been trashed with a dead man in it there is much movement of the camera - it goes from the mid shots of the room (the camera showing the state of which it's in) to medium close-up shots of the character, showing her expressions and emotions at the sight - these are reaction shots. The shots go from room to character showing her every emotional change and giving a feel of the character to the audience.


What is the effect of the editing on the viewer? What are we meant to feel at different stages? 
The editing is done to give the film continuity and gives the audience a more realistic setting and actions in that setting which would help them empathise with the movie and character more and get them to watch more of the movie.
Due to the continuity, the emotions the audience feels, or is supposed to feel, are heightened due to the realism of it. When the character enters the house on her own since no-one answered the door would bring about questions to the audience and give them an ominous feeling about the house or what transpired there.
The way the camera moved in the destroyed room from the room to the character showed the emotions of the character every step of the way. The emotions felt there by the character should be similar to the ones the audience feels - shock and confusion and then horror and disgust with the sight of the dead man. The camera movements and editing, especially when it zooms into the dead man, helps emphasise the emotions the audience is feeling and shows the emotions the character is feeling at the same time.


What is the 'best bit' for you in this sequence in terms of learning new techniques and why?
 When the character enters the messy room as it allows us to see the emotions she felt at every step - allowing us to see what she saw and then showing us how she felt when she saw it. It was great as i saw such simple camera shots being used, some repeatedly, with such brilliance creating a stimulating scene with many emotions being built up from it - including when they first just show some feet with blood on them and then go on to show the whole dead body which continues to zoom in until it gets to the face. 'Simple is best'